LCollective Mini-Tour

Added on by Douglas Farrand.

Here are a few recollections from travels through Providence and Boston last weekend with LCollective. In Providence we played at 150 Sutton St with Laura Cetilia, and Teodora Stepancic gave a solo concert at the RISD Museum. In Boston we played alongside Ordinary Affects, a Boston-based ensemble, at the MIT Bookstore in Cambridge.

1. I am sitting in the MIT bookshop at the edge of a semi-circle. James Falzone to my left, Luke Martin across the circle from me, Laura Cetilia and Morgan Evans-Weiler in between. I am listening to several low tones in the room. I can tell when Luke is playing but I cannot tell when Luke is not playing.

2. I am slowly walking around a room in the RISD Museum, looking at large portraits of regally painted families, wealthy women standing stoically, pastoral landscapes featuring some sort of communal activity, often by a river. In each painting there is some small section of the canvas containing a glimpse of sky and clouds. Occasional passages of chords-- each chord truncated, leaving a single tone to decay naturally-- sound from the piano in the middle of the room as Teodora Stepancic plays from Andre Cormier's "Zwischen den Wolken."

3. I am playing Laura's trumpet and cello duet during rehearsal. It is early enough that the gallery we are sitting in is still filled with afternoon light. I feel immersed in the sound of the field recording behind me and the compound 5th between low cello and high muted trumpet. I wonder about how Erik Satie's late night walks home would have been different had he lived closer to the sea.

Lucier's "Wind Shadows" at Music for Contemplation

Added on by Douglas Farrand.

(also posted on the Music for Contemplation website here)

I had the pleasure of hearing Craig Shepard perform Wind Shadows, a piece by Alvin Lucier for trombone and sine-tones, at the Music for Contemplation series on April 10th 2015. 

"I wanted to write to say how wonderful it was to hear your performance of Wind Shadows on April 9th.  Very glad I was able to attend. I have been sitting with the sensation that really began immediately and so potently upon hearing the first 'swell' of the sine tones- and continued throughout the piece - of such a deep and mystifying poetics arising from such a basic, elemental, logical construction - such a distinct and clear identity arising immediately and without question from seemingly anonymous materials."

Alvin Lucier (L) with Craig Shepard. Photo by Beth O'Brien.

Alvin Lucier (L) with Craig Shepard. Photo by Beth O'Brien.